In the ‘participative web’ many questions are raised by remix culture: what are the implications of ‘user-generated content’ for ownership, creative transformation, and professional/amateur labour? what can be considered fair dealing in the context of sampling?  In this project, Juliet Lammers and Claire Kenway interviewed youth about their uses of digital technologies for creating and remixing music through sampling, DJing, and digital mashups; their knowledge of copyright legislation and fair dealing; and their thoughts on alternatives to the current copyright regime, including Creative Commons.